Winter in Paradise Page 18

“Wow,” Baker says. He’s moved by this and he wants to ask some strategic follow-up questions. Was she seeing anyone? Had Ayers known Russ? But at that moment, Baker looks up and sees Cash headed toward them, holding two beers in each hand.

Baker shakes his head at Cash in an attempt to convey the very important message: She doesn’t know who we are! But Cash looks too hot and pissed-off to care about secret codes.

“Why the hell did you vanish like that?” Cash asks. “You expected me to find you all the way over here?”

“That’s my fault,” Ayers says, dropping the butt of her cigarette into her now empty beer. “I led your brother astray. Sorry about that.”

Cash hands Baker two of the four beers and takes a long swallow of one of the beers he’s holding. He seems like he’s making an effort to regroup. “It’s fine,” he says.

“Cash, this is Ayers Wilson,” Baker says. “Ayers is a friend of the deceased…”

“Best friend,” Ayers interrupts. “Your brother admitted that you two are crashing.”

“Um… yeah,” Cash says.

“It seems like there would be better ways to spend your precious vacation days than attending a local funeral lunch,” Ayers says. “Though Chester’s barbecue is pretty good.”

“Vacation days?” Cash says, and he gives Baker a quizzical look.

Ayers takes the awkward moment of silence that follows—during which Baker is silently imploring Cash to just go with it—as an opportunity to stand up. “I should get back to my post,” she says. “And back to my grief, although God knows that’s not going anywhere.” She offers Baker her hand. “Thank you for allowing me to escape for a few minutes. Maybe I’ll see you again before you leave.”

“I hope so,” Baker says. “What’s the name of the restaurant where you work?”

“La Tapa,” she says. “Right downtown, near Woody’s.”

“Woody’s of the infamous happy hour,” Baker says.

Ayers touches a finger to her nose. “You got it. And hey, go get yourself some barbecue. Anyone gives you trouble, tell them you’re with me.” She vanishes back into the crowd.

“What was that?” Cash asks, once she’s gone. “You told her we were on vacation?”

But Baker is too lovestruck to answer.

IRENE

She’s relieved when the boys leave the villa because she needs time and space to think, really think, and she needs room to process. There are two weighty issues Irene has to deal with. One is Russ’s death, and the other is his deception.

Because this house, this island, is a very large, very real deception. Russell Steele, Irene’s husband of thirty-five years, is a liar, a schemer, and most likely a cheat. Irene doesn’t know what to say—words fail her, thoughts fail her, and the boys seem to expect both thoughts and words, some expression of pain, some expression of anger. But Irene is so befuddled she can’t yet identify pain or anger. Her interior life is a barren wasteland.

She thinks back to the woman she was before, even hours before that blood-chilling call from Marilyn Monroe. She had been consumed with her problems at work, the demotion, the magazine moving off in a flashy new direction without her. She had gone to dinner with Lydia. Lydia had said, You wouldn’t understand because you have Russ, who dotes on you night and day. Irene had deflected the statement, saying, When he’s around. But she had thought, then, that Lydia was right: Irene did have a doting husband and she didn’t properly understand what it was like to be alone.

Irene Hagen first met Russell Steele at a bar called the Field House during Irene’s senior year in college when the University of Iowa played Northwestern in a snowstorm and that snowstorm turned into a blizzard and I-80, which led back to Chicago, was shut down, effectively stranding all of the Northwestern fans in Iowa City. There had been a rumor circulating among Irene’s sorority sisters at Alpha Chi Omega that the Northwestern boys were looking to hook up simply so they would have a place to sleep that night.

Only a few minutes after Irene heard this rumor, she felt a tap on her shoulder. “My name is Russell Steele,” Russ said. “Would you allow me the honor of buying you a drink?”

Irene had scoffed. The guy was cute—brown hair, brown eyes, hooded Northwestern sweatshirt, clean-cut, her father would have said—and he had a beseeching look on his face, but Irene suffered no fools.

“No, thanks,” she said, and she turned back to her friends.

Russell Steele had walked away. The jukebox, Irene remembered, was playing “Little Red Corvette,” and Irene and her friends had stormed the dance floor. When they returned to their spot at the bar, there was a drink waiting for Irene. At that time in college, she drank something called a Lemon Drop, because she had an idea that vodka was less fattening than beer. Vanity came at a price: Lemon Drops at the Field House cost five dollars, a relative fortune.

“From that guy, over there,” the bartender said. “The enemy.”

When Irene looked, Russ waved.

He had stayed on the other side of the bar the rest of the night, and when it was time to go home, she had gone over to thank him for the drink.

“You didn’t have to do that,” she said.

“I know,” he said. “But you’re pretty and a way better dancer than all your friends.”

“You’re only saying that because you want a place to sleep tonight.”

“I’m saying it because it’s true,” Russ said. “I’ll be fine on a park bench tonight.”

Irene had sighed. “You can sleep on the floor of my room,” she said. “But I want you out by nine and if you touch me, I’ll call security.”

“Deal,” Russell Steele said.

Russ had spent the night on Irene’s dorm room floor—she had grudgingly given him one of the blankets and pillows from her own bed—with his arms crossed over his chest, like he was sleeping in a coffin. It was weird, Irene had thought, but also sort of endearing. At nine the next morning, when he was on his way out to catch his ride back to Evanston, she gave him her phone number. She figured she would never hear from him again, but he had called that very night, and the next day, he sent a bouquet of white calla lilies. He had noticed a poster of white callas on Irene’s dorm room wall.

Because you love callas and because I love you. That was what the card on the flowers said that had arrived on New Year’s Day. Russ had been dead by the time those flowers arrived.

Irene thinks back on her marriage. Had she ever had reason to doubt Russ’s honesty, or his fidelity? No. Russ’s dominant trait had been one of utter devotion; he had never been one to flirt with other women. If Irene complimented a certain woman’s figure or sense of style, Russ would say, “I didn’t notice.” And Irene believed him.

There was a way in which their marriage had been divided in half. The first half of their marriage, they had been normal, hardworking midwesterners, trying to raise two boys. Russ had his job selling corn syrup, and Irene was a full-time mother who picked up freelance editing work once the boys were in school. They lived in a nondescript ranch on Clover Street, a cul-de-sac east of the university, close to the high school. Irene won’t lie: those had been lean years. She might even characterize them as tough. If Irene and Russ wanted to do anything fun or special—even a night out to dinner at the steakhouse in the Amanas—they had to budget. When Irene’s minivan died, they had to ask Russ’s mother, Milly, for a loan.

When Russ got the job offer from Todd Croft, it had seemed nothing short of a miracle, or like God’s benevolent intervention finally lifting them up. Suddenly there was money—so much money! They were able to send Baker to Northwestern without taking out any loans. Then they were able to buy the fixer-upper of Irene’s dreams on Church Street. A scant year after Russ got this new job, Irene was offered a full-time editorial position at Heartland Home & Style. Between the renovation and the new job, she had been so consumed, so busy, that she had barely taken notice of the dark side of their good fortune: Russ became less like a man she was married to and more like a man she dated whenever he was in town. But she had liked that, hadn’t she? It had been nice to have Russ out from underfoot, to have freedom and autonomy when it came to making decisions about the new house, which was especially sweet since she no longer worried about their finances. Irene had been complicit in the change to their relationship; she had preferred their new situation to the slog of everyday married life. Irene’s friends and coworkers asked why Irene never joined Russ on his business trips. He was in Florida, right? Didn’t Irene want to enjoy the sun?

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